Delphine Measroch is a Montreal-based music editor who has been working in the music/film/TV industry for about 15 years. She has collaborated with a multitude of composers locally and abroad (Bryan Dessner, Joseph Trapanese, Marius De Vries, …) on projects of virtually any genre.

     She routinely performs many roles and tasks, cutting music for both temp and final music scores, as well as being part of the team on mixing stages, acting as the link between the production and the different music sources (performed, composed, sourced) ensuring all disparate elements of the music soundtrack come together smoothly.

     After a Master’s Degree in Music Composition from the University of Montreal in 2006, she went on to acquire some additional and specific training in Music Rights (INIS, Montreal),  Film Music (Aubagne, France) and Postproduction and  New Technologies (Parlimage, Montreal). Working with the Cirque du Soleil Music Clearances team was also a valuable experience.

     As a music supervisor, she’s also sourced and licensed songs for film, tv series and advertisement (Apple iPhone, Bell Canada, Samsung, …) researching internationally as well as locally in the quest for musical gems.

 

              Read her interview for the CBC show This Life for which she selected and synchronized 

              more than 50 songs… 

For supervision and synchronization of commercials, she forms part of the Circonflex Music Agency team: http://www.circonflex.com/

     Delphine is a music lover above anything else and this passion drives her to dive into every project with enthusiasm and a very broad knowledge of music.

 

     As a cinematic composer, Delphine Measroch has had the opportunity to create original scores for veteran cinematographers Nicolas Roeg and Amos Kollek amongst others. One of her recent projects Song of Granite, by director Pat Collins, was selected to represent Ireland for the 2018 Oscars.

                                                             

     Aside from the film music industry, she’s also been interested in more unconventional means of music diffusion. With duet Milliseconde Topographie, she has explored underwater installations, interative video-music performances and soundwalks… On the alternate and festival circuit her musical works have also been selected and represented in various events worldwide, including :

Women in New Music Festival (California, USA)

ZKM Center for Art and Media (Germany)

Jeux de Temps/Times Play (Montreal)

Visionaria International Film Festival (Italie) 1st Prize (MilliTopo)

Chicago Motion Graphics Festival Best Art Video (MilliTopo)

Brooklyn Underground Film Festival

DotMov (Japan)

Transmediale (Germany)

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